An assignment I had to do was an artwork based on dreams. I chose not to interpret it too literally, I felt that would give too much of myself away. So instead, I focused on the idea that dreams ARE a part of our psyche, even contribute to it. Ever have a disturbing dream and all day, you cant focus? Or are just really fucking confused? I do, all the time.
These works, drawn and painted with ink, are supposed to resemble the Rorschach. Those inkblots the psychiatrists use.
"The Rorschach inkblot test is a method of psychological evaluation.
Psychologists use this test to try to examine the personality characteristics
and emotional functioning of their patients. The Rorschach is currently the second
most commonly used test in forensic assessment, after the MMPI, and has been
employed in diagnosing underlying thought disorder and differentiating psychotic
from nonpsychotic thinking in cases where the patient is reluctant to openly
admit to psychotic thinking"- http://www.rorschachinkblottest.com/
Saturday, 3 November 2012
Oil paintings
Last year, I had an affair with oil paints. It was lovely. They were kind to me... possibly not so much to my head. But I really felt comfortable with them. The artworks I created, though not perfect, they were raw and felt like me.
Line Portraits
Possibly my favourite form of art to do is life drawing. I like that whatever you're feeling, whilst you're in that room drawing, comes across through the work. The line changes as your mood does. Delicate, loose lines appear when you're happy. Bold, scribble lines when you're mad. I like that the line created by that emotion can not be replicated. I feel that this is my true artistic expression. It is so raw and real and true.
Brett Whiteley
Screen as the bathroom window 1976
The Fourth Wall
I have always adored the work of Whiteley. His use of distortion and line is perfect. I especially love his nudes. His vision of the female form is amazing. The combination of these elements along with his incredible use of line is something I aspire to.
The Fourth Wall
I have always adored the work of Whiteley. His use of distortion and line is perfect. I especially love his nudes. His vision of the female form is amazing. The combination of these elements along with his incredible use of line is something I aspire to.
Chiharu Shiota
"I
am more interested in the lines, which are often represented in my work through black string.
These strings are woven into each other, which can make it look a bit like
lace, which is also intricately woven. The difference is that my strings are in
a random pattern, whilst lace follows set designs and patterns”. http://www.lostinlace.org.uk/artists/chiharu-shiota
I love her work.
I love the use of line.
I love her work.
I love the use of line.
Threadless
In the past year I have been working on using line and extension of line in my works. The precise nature of using paint on a surface, extending that line with the organic flow of a piece of thread. There is something wonderful about the juxtaposition of the two. Yet they work in harmony to create the line.
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